The Overcoat Analysis

 

the overcoat analysis

The overcoat in Gogol's "The Overcoat" represents the human condition that society offers him Akakiy Akakievitch as he suffers from the lack of compassion and a parallel lack of warm overcoat. In a. Jun 06,  · Of course, get some expert help! Examine our The Overcoat analysis created by our expert writers to get a better idea of how such papers should be written. If you are still confused, check other articles at our blog in your search of inspiration, and don’t focus on the The Overcoat analysis, even if it’s the topic of your paper. You never. The Overcoat Analysis Literary Devices in The Overcoat. Symbolism, Imagery, Allegory. Setting. Nikolai Gogol grew up in hard times for Russia. When he was 17 years old in , a group of revolutionaries called the Decembrists (no, not the band) tried to overthrow the czarist regime. Of cour.


The Overcoat Summary


Which guides should we add? Request one! Sign In Sign Up. Plot Summary. The Overcoat. All Symbols The Overcoat. LitCharts Teacher Editions. Teach your students to analyze literature like LitCharts does, the overcoat analysis.

Detailed explanations, analysis, and citation info for every important quote on LitCharts. The original text plus a side-by-side modern translation of every Shakespeare play. LitCharts From the creators of SparkNotes, something better. The Overcoat by Nikolai Gogol. Download this LitChart!

Themes All Themes. Symbols All Symbols. Theme Wheel, the overcoat analysis. Themes and Colors Key. LitCharts assigns a color and icon to each theme in The Overcoatwhich you can use to track the themes throughout the work.

At the start of the story, the Narrator stops himself from naming the department in which Akaky Akakievichthe main character in his tale, the overcoat analysis, worked. The Narrator decides that it is better to avoid mentioning too many details, as he is worried about offending a sensitive official or other bureaucrat.

He comments that these days, every Russian citizen believes the whole state to be insulted when he himself is. He cites a recent incident in which a police inspector complained that the Russian government was riddled with problems, and that people were maligning his name. As evidence the inspector supplied an extremely long romantic novel in which a police inspector often appears, sometimes in a drunken state. Active Themes.

Bureaucracy and Selfhood. Related Quotes with Explanations. He is a short man with unmemorable, unattractive features. He is born on March 22, and his mother, needing to come up the overcoat analysis an appropriate name for the baby, rejects many proposals and finally names him after his father Akaky, sensing that this is fate. During the christening, baby Akaky grimaces, as though foreseeing the dull life ahead of him. Gogol starts off by painting a very unimpressive picture of Akaky Akakievich, and throughout the story he will test our ability to empathize with this pathetic character.

The Insignificance of the Everyman. The The overcoat analysis claims that no one remembers how Akaky Akakievich was appointed to his specific department. While the younger clerks constantly make fun of him, Akaky usually does not let it affect his work. He always copies his documents diligently and carefully. But at certain moments when the younger officials go too far, the overcoat analysis, Akaky shouts at them to leave him alone, the overcoat analysis.

It also implies that Akaky himself is easily replaceable—he is merely a cog in the Russian bureaucracy.

That Akaky works diligently at his copying and rarely interacts with his peers suggests that Akaky has little personality—that he is perhaps a kind of machine, or a non-entity.

Akaky loves his job as a copyist so much that he makes it his entire life. He takes joy in reading different documents and carefully copying each letter. But he is never promoted—once, a director who wished to reward Akaky for his hard work ordered him to add a few small changes to a document, but Akaky grew nervous and requested to copy something instead. After this incident, no one offered to promote Akaky again. He never notices the taste of his food, and after he returns home and has dinner, he continues copying papers that he brought from work.

Instead, Gogol proposes that it is possible to find joy in any type of labor one undertakes—even as he also goes back to briefly portraying Akaky as a kind of caricature. The Narrator then immediately turns around and mocks Akaky for neglecting every other aspect of his life—his clothes, food, social life, and immediate surroundings.

Download it! Petersburg harbors a major obstacle to those who make the low salary of four hundred rubles per year—the northern cold. Akaky, the overcoat analysis, after being punished by this cold, decides that it is time for him to get a new overcoat. The clerk decides to take the coat to Petrovichthe tailor, to get it repaired. In an aside, the Narrator describes Petrovich as a decent tailor, but a heavy drinker. Gogol criticizes the Russian government for paying its civil servants a low salary on which they can barely survive.

This also introduces the theme of the importance of material goods. Akakynoting that Petrovich appears to be sober, is worried that he will not be able to bargain as effectively.

He begins nervously, unable to complete his sentence. Petrovich takes his coat and examines it. After some time, he shakes his head and declares it impossible to mend. He insists that Akaky must have a new coat. Petrovich tells Akaky that a new coat will cost him a hundred fifty rubles. Akaky, after first traveling in the wrong direction, returns home in a daze. Throughout the story, the overcoat analysis, Gogol criticizes various characters for only caring about their appearances, shirking their real duties and even basic virtues to instead focus only on appearing important and powerful.

Akaky resolves to return to Petrovich on Sunday morning to try to bargain for his coat. When he visits the tailor again, he hands Petrovich a ten-copeck piece and asks him once again to mend his coat. The tailor thanks him for the money, but insists that Akaky needs a completely new coat. Akaky, discouraged, wonders where he will get the money to pay for the brand new garment. Even if the director gives him a generous Christmas bonus of forty or fifty rubles, the overcoat analysis, he already owes most of it to paying off debts he has accrued, the overcoat analysis.

He knows that Petrovich might agree to make an overcoat for as little as eighty rubles. Akaky has saved up about forty rubles over the course of several years, but he does not know where he will get the other half, the overcoat analysis. Gogol emphasizes how poor Akaky Akakievich is. It seems that the clerk is always trying to catch up with himself—whenever he comes into some extra money, he must use it to pay off his debts.

It is especially troubling that Akaky is not even at the lowest rung of the Russian government—the title of titular counsellor belonged to the ninth of fourteen bureaucratic ranks—so we can only imagine how his inferiors manage the overcoat analysis survive the cold. The overcoat analysis, Material Goods, and Art. Akaky resolves to deprive himself of many of his ordinary expenses. He stops drinking tea at night, burns no candles, walks lightly so as not to wear out his shoes, and goes hungry at night, the overcoat analysis.

With the goal of purchasing a new overcoat in mind, he becomes livelier and more decisive. After three more months of saving up, Akaky has the eighty rubles he needs. He and Petrovich go shopping for supplies: they purchase good quality cloth and fur at reasonable prices. His goal, the overcoat analysis, to save up money in order to purchase the coat, gives him a new sense of purpose, a reason to live beyond the drudgery of his copying.

Here, Gogol emphasizes the overcoat analysis value of material goods not only for basic human survival, but also for emotional and spiritual wellbeing. Petrovich works on the overcoat for two weeks and charges twelve rubles for the job, the lowest price possible.

The coat arrives just in time, for an extreme cold has taken over St. Petrovich proudly displays the overcoat analysis coat, which he made from scratch, to Akaky and helps the clerk put it on. It fits perfectly. The tailor declares that it is only because he works on a small street and has known Akaky for so long that he made the coat so cheaply.

Akaky pays and thanks Petrovich and sets off for work. Petrovich follows him, watching the coat move off in the distance, and then he runs through a side street so that he can catch a glimpse of Akaky and his overcoat from the front. At his department, everyone congratulates Akaky on his new overcoat. They insist that the event must be celebrated, and that Akaky must host an evening party. Akaky is extremely embarrassed until a higher-ranking civil servant, an assistant head clerkoffers to host the the overcoat analysis instead, and invites everyone to tea that night.

The other officials accept his invitation, and pressure Akaky to come as well. Akaky passes the rest of the day in a very good mood, the overcoat analysis.

The overcoat analysis returning home, he compares his new cloak to his old one, laughing at the difference.

After dinner he does not do any copying, but instead rests until dark, and then heads to the evening party. At the same time, the coat opens up a whole new dimension of experience the overcoat analysis Akaky: suddenly he has a social life, and goes out at night for the first time in years.

Gogol repeatedly draws out the absurdity of social interactions—they are based on the most superficial self-presentation, but they are also an important element of a fulfilling life. Akaky gazes with awe upon the high society populating the streets around him. He has not been out at night in years, the overcoat analysis. He looks into a shop window and sees a picture of a beautiful woman displaying a naked foot, as behind her, the overcoat analysis, a man looks at her through a doorway.

Akaky laughs and walks on. The Narrator speculates about why Akaky laughed in that moment: perhaps it was because he had encountered something unknown, or, like other officials, he was amused by French customs, or else he was not thinking about anything in particular.

In contrast to the beginning of the story, in which Akaky barely noticed his surroundings, we now see him paying attention to the overcoat analysis beyond his work.

 

The Overcoat Summary | GradeSaver

 

the overcoat analysis

 

Oct 09,  · 'The Overcoat' is a short story written by Nikolai Gogol in It follows protagonist Akaky Akakievich Bashmachkin as he struggles with the ramifications of having a worn and ragged overcoat. The overcoat in Gogol's "The Overcoat" represents the human condition that society offers him Akakiy Akakievitch as he suffers from the lack of compassion and a parallel lack of warm overcoat. In a. Jun 06,  · Of course, get some expert help! Examine our The Overcoat analysis created by our expert writers to get a better idea of how such papers should be written. If you are still confused, check other articles at our blog in your search of inspiration, and don’t focus on the The Overcoat analysis, even if it’s the topic of your paper. You never.